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Review: Palov & Panama Cardoon launched Greek label Carnibal in 2012 and have been successfully 'shuffling the traditional sounds with the modern beats' ever since. Here on their 10th release they shift focus from the electro-swing and hip-hop approach of previous transmissions, concentrating on the sounds of Latin America instead. It's a tropical and topical romp too, with highlights including the hypnotic vintage cumbia haze of DJ Inko's 'La Cadencia', the fizzing electro reggaeton of Vida G's 'Cumbida' and the skewed disco-funk of 'Orere' by Umoja. Review: In 2017, Ben Gomori teamed up with Sterns Music, a legendary London retailer and distributor specialising in African and Brazilian music, to launch the 'Sterns Edits' EP series, in which Gomori beefs up forgotten nuggets from the Sterns back catalogue for contemporary dancefloors. Now, three years down the line, the best of the series so far gets repackaged in album form, resulting in a collection that will suit Afro-house floors down to the ground. Check it even if you're NOT normally a great lover of African grooves, though - there's a slinky, infectious energy to cuts like 'Sigi Sele' that's hard to resist.
Review: The long-running Agogo label drops a compilation that's tailor made for home listening. Although it is released in the depths of winter and focuses on broken beat and jazz, the tracks on Two Tribes are still evocative enough to make the listener long for the summer. From the murmuring tribal chants of Jacob Mafuleni & Gary Gritness' 'Zvichapera' to the lazy, languid tones of Elias Agogo's 'Some Music', the vivid, brass-led Afro jam that is Tiliboo Afrobeat's 'Dekondor' and the dubbed out house of Trio Toffa's 'Titon To', there is enough depth and variety on offer here to provide the sound track for sandy beaches and warm sea breezes. Review: Two years ago New Guinea joined forces with Early Sounds Recordings to offer up a killer compilation of rare 1970s and early 80s disco, jazz-funk and electrofunk recordings from Napoli, the Italian city they call home. Such was the success of the set that they've decided to offer up this equally impressive sequel.
Amongst the mostly ultra-obscure, little-known cuts you'll find a wealth of highlights, from the high-octane disco stomp of Tonica & Dominante's 'Babilonia', the spacey boogie business that is Ara Macao's super-sweet 'Reflection', the languid AOR-funk of Maria Kelly's 'Dimme' and the low-slung jazz-funk brilliance of Tony Iglio's 'Luci Di New York'. Review: Following the success of their Africa Airways series, London's Africa Seven introduces a new compilation focusing on some of the continent's most recognised female artists - and even some underrated heroines. The under-acknowledged musical contribution that African women have given to the funky sounds of Africa are celebrated here. This release will coincide with International Womens Day, and indeed what a tribute.
Features the diggers delight 'Kilimandjaro Take Us Higher' by South African songstress Letta Mbulu, some smokin' hot Nigerian boogie by Mona Finnih on 'Ani Kewa Jo' and Miriam 'Mother Africa' Makeba with the sultry slo-mo groove of 'Xica Da Silva'. Makeba is known equally for her musical contributions as she is in fighting the apartheid and becoming a UN Ambassador.
Review: Galletas Calientes simply won't stop handing us the goods, piling up the compilations on a weekly basis, and opening our ears to whole batches of new artists out there. This particular episode is the second remix instalment of the Palenque Records AfroColombia series, showcasing the very best of South American Afrobeat. Plenty of killer dance vibes and carnival moves throughout, from the likes of DJ Panko, Umoja, and the rest of the contemporary dance scene blurring the lines between African heritage and Hispanic tones. Wonderfully seductive material for those looking to add a bit of warmth to their January blues. Review: Through the work of Awesome Tapes From Africa and others, we now know more than ever about South Africa's electronic music scene in the 1980s. Here, Rush Hour attempts to fill in the gaps in our education via a fine, double-album exploration of South African dance music produced at the tail end of the decade. It's an interesting and hugely enjoyable set full of tracks that fuse elements of local styles such as bubblegum (that's SA synth-pop, effectively) with sounds and grooves more often found in contemporaneous house music from New York, Chicago and Italy.
It's a blueprint that resulted in music that was variously deep, dreamy, bubbly, warm, synth-heavy and loved-up, but never less than clearly African in origin. Pantsula, then, is a superb history lesson packed full of positive, sun-ripe gems. Review: When legendary label Soul Jazz Recordings was first dipping its toe into the music business it was 'Nu Yorica Culture Clash.' That helped put them on the map. Having been out of print for over a decade, they've put together this expanded edition to mark the seminal compilation's 20th anniversary (available digitally for the first time) and it's lost none of its punch. Boasting 17 exquisite cuts from the likes of Eddie Palmieri, Joe Bataan, Grupo Folklorico and Ricardo Marrero, the album captures an exciting time for Latin music amongst the bonkers melting pot of 1970s New York. Review: Strut's archival remit remains as international as ever, with their latest compilation squaring the focus on late '70s Hawaii on the delightful Aloha Got Soul: Soul AOR & Disco In Hawai'i 1979-1985.
Across the backdrop of societal change on the island (statehood into America in '59 and the Vietnam War) Hawaiian youth found inspiration in the music of The Beatles, The Rolling Stones and later Earth Wind & Fire leading to a truly vibrant scene by the mid-'70s. It's after this where Strut pick up the story, bringing together a glorious 16 track collection that spans the genres and suggests Hawaii to be a most fertile location for music during this era. Do take some time to check the detailed sleeve notes from Aloha Got Soul's Roger Bong which offer further context for the music!
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